Lighting and gentrification: the distinctive Italian feature Interview with Francesco Orofino, general secretary of InArch
Giacomo Leopardi, master of light Searching for the faint, dim moonlight and the sun's flickering rays in the works of the poet from Recanati
“The only metro station in Rome that feels European” San Giovanni: users air their views on the new underground station
Light and well-being: lighting to accompany our circadian rhythms Interview with Maurizio Rossi, the Director of the Master’s course in Lighting Design & LED Technology at the Milan Polytechnic
Color y gloria: red and white recollections Pedro Almodóvar's latest film sees the return of the same colours talk to us about memory and identity
The Bauhaus according to Italo Rota Dialogue with the architect and designer one hundred years after Walter Gropius founded the school
Eighty-eight illuminated drones in concert with Drake The Canadian rapper's show blurs the boundaries between lighting design and choreography
Zerocalcare tells the story of advanced light sources Interview with Roberto Natalini, <br> co-director of Comics&Science
“Clothes are the first space to inhabit” Fashion design as told by one of its protagonists: interview with Nanni Strada, winner of the Compasso d’Oro special career award
The secret of luxury, where art, craftsmanship and design meet Interview with Nicolas Bos, CEO of top jewellers Van Cleef & Arpels
The secrets of Alberto Cavalli and Alessandro Mari A double interview while waiting for their talks at Fuorisalone
Light stories: The Favourite The director Yorgos Lanthimos has succeeded in concentrating a study of solitude into a single scene
"We need a political debate on light" Interview with Don Slater (LSE), Director of the research program Configuring Light / Staging the Social
Lighting the Specola tower: “A cultural, not just a technical project” Interview with Massimo Turatto, Director of the Padua Astronomical Observatory (INAF)
Light and artistic heritage: Tintoretto for Millennials Rethinking the lighting design of art venues to make them accessible to a new generation of visitors
In towns, the light should be designed Interview with Giancarlo Basili, the set designer of My Brilliant Friend